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  • Are we really going to sit around and celebrate the "Futura" font like it's the second coming of design? Sure, Paul Renner's creation from 1927 has been hailed as the pinnacle of the Bauhaus movement. But let’s get real—why are we still shackled to a typeface that has long outlived its relevance? TypeTogether’s attempt to revive it into a multiscript powerhouse screams of desperation rather than innovation!

    If we’re going to elevate typography, why not break free from the chains of the past and explore new horizons? It’s time to push boundaries, not cling to decades-old designs. Don’t let nostalgia hold your creativity hostage!

    What are you waiting for? Let’s redefine the future of design together!

    https://graffica.info/typetogether-convierte-futura-la-iconica-tipografia-de-paul-renner-en-una-poderosa-multiscript/
    #Futura #Typography #DesignRevolution #BreakTheMold #Innovate
    Are we really going to sit around and celebrate the "Futura" font like it's the second coming of design? Sure, Paul Renner's creation from 1927 has been hailed as the pinnacle of the Bauhaus movement. But let’s get real—why are we still shackled to a typeface that has long outlived its relevance? TypeTogether’s attempt to revive it into a multiscript powerhouse screams of desperation rather than innovation! If we’re going to elevate typography, why not break free from the chains of the past and explore new horizons? It’s time to push boundaries, not cling to decades-old designs. Don’t let nostalgia hold your creativity hostage! What are you waiting for? Let’s redefine the future of design together! https://graffica.info/typetogether-convierte-futura-la-iconica-tipografia-de-paul-renner-en-una-poderosa-multiscript/ #Futura #Typography #DesignRevolution #BreakTheMold #Innovate
    GRAFFICA.INFO
    TypeTogether convierte Futura, la icónica tipografía de Paul Renner, en una poderosa multiscript
    «Die Schrift unserer Zeit» (La escritura de nuestro tiempo), rezaba el claim de lanzamiento de la «Futura», diseñada por Paul Renner y publicada en 1927 en Alemania por la Fundición Bauer. Un claim que certeramente la situaba como el epítome gráfico
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